A biographical dictionary of actors, actresses, musicians, - download pdf or read online

By Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans

ISBN-10: 0809305178

ISBN-13: 9780809305179

To be accomplished in 12 volumes, this huge paintings the following starts off publica­tion with the 1st volumes—Abaco to Bertie and Bertin to Byzard. while accomplished, it's anticipated that the bio­graphical dictionary will comprise informa­tion on greater than 8,500 individuals. Hundreds of published resources were hunted for this undertaking, and dozens of repositories combed, and the names of team of workers indexed were filtered via parish registers every time attainable. From released and unpublished resources, from wills, data societies and guilds, from documents of schools, uni­versities, and golf equipment, and from the contri­butions of selfless students, the authors have the following assembled fabric which il­luminates theatrical and musical job in London within the 1660–1800 period. The details right here collected will no doubt be augmented through different spe­cialists in recovery and eighteenth-century theatre and drama, however it isn't most likely that the variety of people referred to now without doubt or conjectured eventually to were attached with theatrical en­terprise during this interval will ever be in­creased significantly. definitely, the contributions made right here upload immeasurably to latest wisdom, and in a few cases right normal histories or reference works. The accompanying illustrations, esti­mated to be a few 1,400 likenesses—at least one photograph of every topic for whom a portrait exists—may turn out to be a use­ful characteristic of the paintings. The authors have long past past embellishment of the textual content, and feature tried to checklist all origi­nal images any wisdom of that is now recoverable, and feature attempted to ascer­tain the current position of graphics in each medium.

Show description

Read Online or Download A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800 PDF

Best theatre books

New PDF release: The Theatre and its Double

Quote:

My expensive friend,
i feel i've got came across an appropriate identify for my book.
it's going to be:
THE THEATRE AND ITS DOUBLE
for if theatre doubles existence, lifestyles doubles real theatre, however it has not anything to do with Oscar Wilde's principles on paintings. This identify will agree to the entire doubles of the theatre which i assumed I'd stumbled on for therefore a long time: metaphysics, plague, cruelty,
the pool of energies which represent Myths, which guy now not embodies, is embodied via the theatre. by way of this double I suggest the good magical agent of which the theatre, via its varieties, is just the figuration on its strategy to changing into the transfiguration.
it's at the level that the union of concept, gesture and motion is reconstructed. And the double of the Theatre is truth untouched through the lads of today.
Artaud, Letter to Jean Paulhan.
25th January, 1936.
(Schumacher 1989, 87-88)

-----------------------------------

Since its first booklet in 1938, The Theater and Its Double via the French artist and thinker Antonin Artaud has persevered to impress, encourage, enrage, liven up, problem, and goad any variety of theatrical debates in its demand a "Theater of Cruelty. " A trio of theatrical manifestos, the publication is an competitive assault on some of the such a lot valuable ideals of either theater and Western tradition. in accordance with Artaud, the theater's "double" is the same to its Jungian "shadow," the unacknowledged, subconscious aspect that completes it yet is in lots of methods its contrary. As "culture" inexorably attracts the inventive impulse into secure channels, the repressed irrational urges of theater, in accordance with goals, faith, and emotion, are more and more essential to "purge" the disorder of society. Artaud identifies language itself as one of many significant cultural culprits, and his assaults on it sometimes makes his textual content tough going. yet his problem to revive relevance to the guts of the theatrical adventure continues to be primary to the energy of theater, and his insistence at the sensory event of drama instead of the literary (and such leading edge principles because the use of unconventional "found spaces") remains to be the clarion name of the theatrical avant-garde. --John Longenbaugh

Get How I Got to Be Whoever It Is I Am PDF

In his candid and fascinating new publication HOW I received TO BE WHOEVER it truly is i'm, winning actor, writer, and activist, Charles Grodin, seems again on the significant occasions and personal moments that experience formed his lifestyles. And, because Grodin is likely one of the top storytellers round, he can't support yet entertain whereas supplying perception received from a wealth of expertise.

Download e-book for kindle: Marie Dorval: France's Theatrical Wonder. A Book for Actors by Bettina Knapp

To track the lifetime of Marie Dorval in the course of the turbulences and exhilarations of her epoch is to have interaction not only with the genesis and the total flowering of an extraordinary theatrical genius but additionally with the teeming literary, emotional, monetary and fabric dramas during which this type of genius is implacably embroiled.

Read e-book online The Golden Age of Movie Musicals and Me PDF

An academy award winner who labored on greater than sixty motion pictures as songwriter, vocal arranger, pianist, musical director, and manufacturer stocks his insider's view of the foremost studios and his operating relationships with nice songwriters and performers of his period. UP.

Additional info for A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800

Sample text

From 1748, his twenty-fifth year, until 1759 he played under Hasse in the court band of the electoral King of Poland at Dresden. " By the early spring of 1759 he was in London and on 5 April began a series of concerts at the Great Room in Dean Street, Soho, where he played with great charm and expertise not only his chief instrument, the viola da gamba, but also on a variety of other instruments, including harpsichord, horn, and pentachord. For these performances he hired such singers as Signora Passerini, Quilici, Tedeschino, Tenducci, and Mrs Storer; and his instrumentalists were of the caliber of Pinto, Tacet, Barbandt, and Paxton.

Though records of his nineteenth-century efforts are incomplete, it is much to be feared that the description remained apt. This Abbott was probably the one in the cast of Richard III at the opening of the New Theatre Royal, Bath, on 12 October 1805. In the summer season of 1809 an Abbott who was a veteran of London conducted with Mallinson a momentarily successful theatrical venture at Tenby. Possibly T. Abbott was also the one at Covent Garden in 181213, and at Edinburgh in 181516, 1818, 1819, and 1821, who was said to have had the permission of the manager Harris at Covent Garden to play in Scotland.

In addition to the favor he had obviously gained within the two chief musical organizations Abell must have attracted the attention of the King himself, for soon after these appointments Charles 11 sent him to Italyto study, according to some sources, but, say others, to show the Italians that England also had good singers. " The diarist Page 7 called Abell a "Trebble" but he was, more correctly, a countertenor or alto. The King continued his favors by sending the singer to Scotland, probably in February, for Abell was paid £20 for the charges of his journey on 9 March 1682.

Download PDF sample

A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800 by Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans


by George
4.0

Rated 4.63 of 5 – based on 31 votes