Accessible Citizenships. Disability, Nation, and the by Julie Avril Minich PDF

By Julie Avril Minich

Accessible Citizenships examines Chicana/o cultural representations that conceptualize political group via pictures of incapacity. operating opposed to the belief that incapacity is a metaphor for social decay or political hindrance, Julie Avril Minich analyzes literature, movie, and visible paintings post-1980 within which representations of non-normative our bodies paintings to extend our knowing of what it skill to belong to a political community.
Minich exhibits how queer writers like Arturo Islas and Cherríe Moraga have reconceptualized Chicano nationalism via incapacity pictures. She extra addresses how the U.S.-Mexico border and disabled our bodies limit freedom and circulation. eventually, she confronts the altering position of the geographical region within the face of neoliberalism as depicted in novels through Ana Castillo and Cecile Pineda. 
Accessible Citizenships illustrates how those works gesture in the direction of much less exclusionary varieties of citizenship and nationalism. Minich boldly argues that the corporeal pictures used to depict nationwide belonging have vital outcomes for a way the rights and advantages of citizenship are understood and distributed.

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Additional info for Accessible Citizenships. Disability, Nation, and the Cultural Politics of Greater Mexico

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By reframing Islas’s work in this way, this chapter reveals how attention to disability might contribute to scholarship about the role of nationalism and citizenship in ongoing struggles for racial justice. enabling aztlán / 35 Islas and Chicano Nationalism4 In the early 1970s, as Islas was writing the manuscripts that would become The Rain God and Migrant Souls, Chicano nationalism was defined by El Plan Espiritual de Aztlán, a manifesto composed in 1969 at the First National Chicano Liberation Youth Conference.

In the analysis that follows, I will elaborate how The Rain God and Migrant Souls depart from the project of El Plan, which privileges the able, laboring bodies planting the seeds, watering the fields, and gathering the crops, to propose instead a vision of Aztlán predicated on disability. In this way, the novels exemplify Tobin Siebers’s assertion that “the inclusion of disability changes the definition of the political unconscious in surprising ways” (Disability Aesthetics 58). Expanding the work of Fredric Jameson, Siebers argues that “the political unconscious may also regulate aesthetic forms, excluding those suggestive of broken communities and approving those evocative of ideal ones” (57–58).

Yet despite his refusal to envision the writer as a vehicle for a singular, essentialized communal voice, and despite his brutal criticisms of Chicano nationalist writers, these essays reveal Islas to be struggling with the role of literature in the formation of community. They show his commitment to forging a new space alongside Alurista and his contemporaries in the Chicana/o literary canon, not only for himself but also for the students he mentors. These Miquiztli essays thus illuminate the vision of Chicana/o community and cultural family that emerges from Islas’s novels.

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Accessible Citizenships. Disability, Nation, and the Cultural Politics of Greater Mexico by Julie Avril Minich

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