By Chuck Forsman
In regards to the publication: work via Chuck Forman. Essays and Poems via Helen Mayer Harrison and Newton Harrison, Patricia Nelson Limerick, Roger C. Echo-Hawk, Gary Holthaus and Charles Wilkinson. Chuck Forman is a extensively exhibited panorama painter and has been adressing environmental matters because the overdue Nineteen Seventies.
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Carefully, I reached down Page 58 and pulled a rock from the river bottom. I threw it just beyond the place where my line entered the water; there was no response. I got close enough to see the dark form in the water. It looked as long as my leg, and as heavy. I had never been connected to such a fish before. Finally, as if making a judgment after long deliberation, perhaps sensing my presence or tiring of the pull on his lip or in response to a signal from a friend upstream, he began to move lazily against the current.
Even in professional matters my heart may overrule my head. It is a privilege that few others enjoy. Those who favor exploitation of natural resources such as wild rivers, as well as those who favor preservation, are skilled persuaders. Proponents of dams and large water projects tout jobs, flood control, cheap power, recreation, and sufficient water for development and agriculture. Preservationists warn us of costs, evaporation, silting, salination, chemical contamination, loss of habitat, extinction, human displacement, and other inexorable woes that water projects, like other kinds of development, create.
His family picnicked on sites that reservoirs would later bury. My family picnicked by the banks of reservoirs that had buried someone else's treasured picnic sites. Chuck and I are too close in age for these picnics, with their contradictory hydraulic emotions, to have occurred on the same sites. My southern California apparently had the jump over Chuck's northern California in dam building. The landscape of my childhood was almost entirely socially constructed, and the landscape of his childhood was still under construction.
Arrested rivers by Chuck Forsman