"Baad Bitches" and Sassy Supermamas: Black Power Action - download pdf or read online

By Stephane Dunn

ISBN-10: 025203340X

ISBN-13: 9780252033407

This full of life learn unpacks the intersecting racial, sexual, and gender politics underlying the representations of racialized our bodies, masculinities, and femininities in early Seventies black motion movies, with specific concentrate on the illustration of black femininity. Stephane Dunn explores the common, sexualized, subordinate positioning of ladies in not pricey blaxploitation motion narratives in addition to extra heavily radical movies like Sweet Sweetback's Baadasssss Song and The Spook Who Sat by means of the Door, during which black girls are usually portrayed as trifling "bitches" in comparison to the supermacho black male heroes. The phrases "baad bitches" and "sassy supermamas" sign the reversal of this positioning with the emergence of supermama heroines within the few black motion movies within the early Nineteen Seventies that featured confident, empowered, and difficult (or "baad") black girls as protagonists: Cleopatra Jones, Coffy, and Foxy Brown.

Dunn deals shut exam of a different second within the heritage of African American illustration in renowned cinema, tracing its emergence out of a thorough political period, stimulated specifically by way of the Black energy stream and feminism. "Baad Bitches" and Sassy Supermamas also engages blaxploitation's impression and lingering charisma in modern hip-hop tradition as urged via its aggravating gender politics and the "baad complain daughters" of cunning Brown and Cleopatra Jones, rappers Lil' Kim and cunning Brown.  

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Additional resources for "Baad Bitches" and Sassy Supermamas: Black Power Action Films

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In my conversations with black folk who were old enough to experience the films at drive-ins and various theaters during the 1970s, I have been struck by how seeing the films with family and friends and among primarily black audiences stands as a key part of their remembrances. As one California lady in her fifties put it to me, “It was just wild, you know. Me and my girlfriends went to see them together a lot. Snuck to see some of ’em ’cause some of our parents didn’t exactly see them as films for young girls to see.

Many of these integrated movie spaces carry out policies that have serious racial, gender, and class implications. Instances of violence or perceived bad the ple asure of looking · 23 behavior at inner city theater sites that especially draw young black male audiences become additional justification for constructing the poor and lowerclass black male body as an icon of violence and incorrect social behavior. Thus, it is not uncommon for theaters in integrated, popular shopping sites to police the comings and goings of certain black moviegoers.

Their introduction to and historical relationship with the films also varied. Some were young adults and adolescents at the time of the films’ release and had viewed them first at the movies and over the years at least once again through cable television or video. A handful of the respondents were hip-hop-generation viewers who knew Coffy and Foxy Brown through videos and the confiscation of blaxploitation in hip-hop culture—fashion, music, film references, and movie remakes. I had several small-group movie sessions with a handful of women who were viewing the films for the first time since seeing them at the time of their release.

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"Baad Bitches" and Sassy Supermamas: Black Power Action Films by Stephane Dunn


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