By Carol Tator
In this considerate and lucid research, framed via their rivalry that 'cultural creation is one means during which society provides voice to racism,' Carol Tator, Frances Henry, and Winston Matthis learn how six arguable Canadian cultural occasions have given upward push to a brand new 'radical' or 'critical' multiculturalism.
Mainstream tradition has more and more turn into the locus for problem via racial minorities. starting with the Royal Ontario Museum's Into the guts of Africa exhibition, and following via with discussions of convey Boat, leave out Saigon, the exhibition of the Barnes assortment on the artwork Gallery of Ontario, the 'Writing via Race' convention in Vancouver, and the ill-fated makes an attempt to procure a licence for a black/dance radio station in Toronto, the authors research manifestations of racism in Canada's cultural construction during the last decade. A 'radical' multiculturalism, they argue, is distinction as a politicized strength, and arises at any time when cultural imperialism is challenged.
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Extra info for Challenging Racism in the Arts: Case Studies of Controversy and Conflict
Yet many times in the history of the colonization and missionizing of Africa, African peoples resisted imperial domination both physically and in writing. This could have been an important part of the narrative. Instead, viewers were confronted with numerous examples of passive Africans seeming to stoically accept their fate. 5 metres), depicting Lord Beresford thrusting his sword through a shield into the heart of a Zulu man. ' The word 'encounter' here was being used ironically and satirically.
Those participating in this discussion made a number of suggestions to the curator about how the exhibition could be altered so as to provide a more unbiased presentation. They wanted assurances that the exhibition would reflect a balance between African and Western descriptions of the meaning and significance of the artifacts being displayed. They also wanted a commitment from ROM officials that the objects exhibited, and the commentaries attached to them, would be free of bias and stereotyping.
Media representations play a key role in sending encoded messages, which the receiver is then free to 'read' in ways that reinforce the values associated with racist discourse and the promotion of Eurocentrism. , 1975). Media professionals are often guided by a need to focus on the extraordinary, which sells well in the marketplace. It has also been argued that the reproduction of racism in the media - particularly in the press - takes the specific form of 'elite racism/ The media's dominant values are inextricably linked to those of political, social, and corporate elite groups, and it is in their interest to play a role in generating consensus.
Challenging Racism in the Arts: Case Studies of Controversy and Conflict by Carol Tator